ChamSys MagicQ Helps Patrick Sollitt Run Headline Show on Glastonbury Acoustic Stage ChamSys MagicQ Helps Patrick Sollitt Run Headline Show on Glastonbury Acoustic Stage
PILTON, UK – Late Friday night, as they concluded their 90-minute set on Glastonbury’s acoustic stage, headliners Paul Heaton and Jacqui Abbott walked out for their first encore. Evoking an earlier time in Heaton’s iconic career, they performed a moving and soulful version of “Caravan of Love,” a song that was a No. 1 hit for Heaton when he was a member of the Housemartins.
It was a special moment for many fans, as the two artists melded their voices in a soft, sweet harmony that flowed as beautifully and naturally the summer breeze that wafted through Worthy Farm. Embracing the music and enhancing its magical effect was a Patrick Sollitt lightshow that he ran on his ChamSys MagicQ MQ500M.
“’Caravan of Love’, was my favourite look,” said Sollitt. “It was simple, nothing very complicated, just two colours that move together in a very gentle balanced way. I think it topped off the set perfectly.”
Working with a rig supplied by Fineline Lighting, Sollitt created a variety of other serene transformative looks that captured the deep, and gently evocative mood of the 21-song set.
The mellow aura notwithstanding, however, the road that took Sollitt to this show was not without its twist and turns.
“Glastonbury always has its own special set of challenges,” he said, speaking from experience after having worked multiple times at the festival. “There is no true global production in place, which can make things daunting at times. I came to the festival with a MQ500M in the back of my truck, but there was already a MQ500M and MQ250 at FOH. Still, you always have to be prepared at a festival!”
A ChamSys user since 2007, Sollitt credits the intuitive and user-friendly features of his MQ500M with helping him navigate his way through the festival experience. “There was no busking, I fully programmed for each song in the set,” he said. “There are a great many things about the MQ500M that made it easier for me to do this, and make last minute changes in festival environment. The seamless cloning and morphing are life savers, and they add to the quality of my show day-to-day in festival situations, while reducing the time it take for me to achieve great results.”
Sollitt, who used WYSIWYG to create plots, also relied on the 3D Visualiser to change up things like beam and gobo renderings. Additionally, he noted that the logical interface of the consoles and its two screens made his work process more fluid.
This, he says, helped “go with the flow” at Glastonbury … And given the relaxed vibe on this night, that seemed like a really nice thing to do.
It was a special moment for many fans, as the two artists melded their voices in a soft, sweet harmony that flowed as beautifully and naturally the summer breeze that wafted through Worthy Farm. Embracing the music and enhancing its magical effect was a Patrick Sollitt lightshow that he ran on his ChamSys MagicQ MQ500M.
“’Caravan of Love’, was my favourite look,” said Sollitt. “It was simple, nothing very complicated, just two colours that move together in a very gentle balanced way. I think it topped off the set perfectly.”
Working with a rig supplied by Fineline Lighting, Sollitt created a variety of other serene transformative looks that captured the deep, and gently evocative mood of the 21-song set.
The mellow aura notwithstanding, however, the road that took Sollitt to this show was not without its twist and turns.
“Glastonbury always has its own special set of challenges,” he said, speaking from experience after having worked multiple times at the festival. “There is no true global production in place, which can make things daunting at times. I came to the festival with a MQ500M in the back of my truck, but there was already a MQ500M and MQ250 at FOH. Still, you always have to be prepared at a festival!”
A ChamSys user since 2007, Sollitt credits the intuitive and user-friendly features of his MQ500M with helping him navigate his way through the festival experience. “There was no busking, I fully programmed for each song in the set,” he said. “There are a great many things about the MQ500M that made it easier for me to do this, and make last minute changes in festival environment. The seamless cloning and morphing are life savers, and they add to the quality of my show day-to-day in festival situations, while reducing the time it take for me to achieve great results.”
Sollitt, who used WYSIWYG to create plots, also relied on the 3D Visualiser to change up things like beam and gobo renderings. Additionally, he noted that the logical interface of the consoles and its two screens made his work process more fluid.
This, he says, helped “go with the flow” at Glastonbury … And given the relaxed vibe on this night, that seemed like a really nice thing to do.
PILTON, UK – Late Friday night, as they concluded their 90-minute set on Glastonbury’s acoustic stage, headliners Paul Heaton and Jacqui Abbott walked out for their first encore. Evoking an earlier time in Heaton’s iconic career, they performed a moving and soulful version of “Caravan of Love,” a song that was a No. 1 hit for Heaton when he was a member of the Housemartins.
It was a special moment for many fans, as the two artists melded their voices in a soft, sweet harmony that flowed as beautifully and naturally the summer breeze that wafted through Worthy Farm. Embracing the music and enhancing its magical effect was a Patrick Sollitt lightshow that he ran on his ChamSys MagicQ MQ500M.
“’Caravan of Love’, was my favourite look,” said Sollitt. “It was simple, nothing very complicated, just two colours that move together in a very gentle balanced way. I think it topped off the set perfectly.”
Working with a rig supplied by Fineline Lighting, Sollitt created a variety of other serene transformative looks that captured the deep, and gently evocative mood of the 21-song set.
The mellow aura notwithstanding, however, the road that took Sollitt to this show was not without its twist and turns.
“Glastonbury always has its own special set of challenges,” he said, speaking from experience after having worked multiple times at the festival. “There is no true global production in place, which can make things daunting at times. I came to the festival with a MQ500M in the back of my truck, but there was already a MQ500M and MQ250 at FOH. Still, you always have to be prepared at a festival!”
A ChamSys user since 2007, Sollitt credits the intuitive and user-friendly features of his MQ500M with helping him navigate his way through the festival experience. “There was no busking, I fully programmed for each song in the set,” he said. “There are a great many things about the MQ500M that made it easier for me to do this, and make last minute changes in festival environment. The seamless cloning and morphing are life savers, and they add to the quality of my show day-to-day in festival situations, while reducing the time it take for me to achieve great results.”
Sollitt, who used WYSIWYG to create plots, also relied on the 3D Visualiser to change up things like beam and gobo renderings. Additionally, he noted that the logical interface of the consoles and its two screens made his work process more fluid.
This, he says, helped “go with the flow” at Glastonbury … And given the relaxed vibe on this night, that seemed like a really nice thing to do.
It was a special moment for many fans, as the two artists melded their voices in a soft, sweet harmony that flowed as beautifully and naturally the summer breeze that wafted through Worthy Farm. Embracing the music and enhancing its magical effect was a Patrick Sollitt lightshow that he ran on his ChamSys MagicQ MQ500M.
“’Caravan of Love’, was my favourite look,” said Sollitt. “It was simple, nothing very complicated, just two colours that move together in a very gentle balanced way. I think it topped off the set perfectly.”
Working with a rig supplied by Fineline Lighting, Sollitt created a variety of other serene transformative looks that captured the deep, and gently evocative mood of the 21-song set.
The mellow aura notwithstanding, however, the road that took Sollitt to this show was not without its twist and turns.
“Glastonbury always has its own special set of challenges,” he said, speaking from experience after having worked multiple times at the festival. “There is no true global production in place, which can make things daunting at times. I came to the festival with a MQ500M in the back of my truck, but there was already a MQ500M and MQ250 at FOH. Still, you always have to be prepared at a festival!”
A ChamSys user since 2007, Sollitt credits the intuitive and user-friendly features of his MQ500M with helping him navigate his way through the festival experience. “There was no busking, I fully programmed for each song in the set,” he said. “There are a great many things about the MQ500M that made it easier for me to do this, and make last minute changes in festival environment. The seamless cloning and morphing are life savers, and they add to the quality of my show day-to-day in festival situations, while reducing the time it take for me to achieve great results.”
Sollitt, who used WYSIWYG to create plots, also relied on the 3D Visualiser to change up things like beam and gobo renderings. Additionally, he noted that the logical interface of the consoles and its two screens made his work process more fluid.
This, he says, helped “go with the flow” at Glastonbury … And given the relaxed vibe on this night, that seemed like a really nice thing to do.
